• Characters Leading the Way by Nina Pierce

    I love romantic suspense stories in all subgenres. It’s what I’ve been reading for too many decades to count. So it was no surprise when I sat down and became serious about my writing that I leaned toward suspense plots. My current WIP is a romantic suspense story involving a serial killer, a heartbroken husband working to save his marriage, an FBI agent and several dead bodies. The identities of the killer and the agent are withheld from the reader even as the threats to the heroine escalate. I like writing complicated plots with turns and red herrings that hopefully keep the reader guessing, leading to an unexpected twist at the end.

    I’ve now published a dozen books, most of them with suspense plots and every single one of them written by the seat of my pants. I start with the “what if” question and let the story unfold organically from there. I’ve always been happy sitting at the computer, letting my hero and heroine stumble into life-threatening situations, naively typing away, letting them roam through the story falling in love and bringing killers to justice.

    Until a few years ago, I didn’t know there was another way.

    Enter a plotting class taught by some writing pros. I was a scientist in my former life and I’d written countless outlines for research papers. I figured I’d give it a try. The instructors presented the plotting process one step at a time. I’m a good student. I’ve always done all of my homework and dutifully kept up the class assignments. We had to describe our hero, heroine and villain, I hadn’t written a scene, but I managed to muddle through. Then we had to talk a little bit about their childhood, their fears, their dislikes and goals. Okay, I started shaking. I’d never really “met” my characters in any of my books until they were thrown into some nasty situation. It was still okay, I pushed through. But *gulp* I was trying to discover who they were and what they wanted before chapter one and the “what if”.

    Then, I had to write ALL of their conflicts, internal and external, along with the journey and character arc they were going to travel during the story. Whaaaat? Like I had to know before actually writing the scene at the warehouse what the heroine was going to do with the antique glass vase when she got to the lake? But she hasn’t told me! I was breathing into paper bags and bathing in calamine lotion to control my lack of oxygen and the hives breaking out on my skin.

    When the instructors, all smiles and sweetness, nicely sent out spreadsheets so we could outline our chapters …that was my undoing! How the heck could I tell them what was going to happen in chapter 20, when I didn’t even know if the heroine’s best friend would still be alive past chapter 15? Heck, I didn’t even know if the story was going to get past chapter 10!

    I. COULDN’T. DO. IT.

    Sorry. *deep calming breaths …in through the nose, out through the mouth* It’s still a bit overwhelming when I think about it. I’ve filed all their pretty charts and spreadsheets deep in my writer box. I gave plotting a shot. More than one. My poor muse had an apoplectic fit every time I pulled out the prompt sheets. It’s not worth the pitchers of margaritas, boxes of chocolates and soothing music it takes to pull her off the ceiling when I attempt to plot a story.

    So I’m going to admit it now. Hi, my name is Nina … and I’m a pantser. I’ve tried plotting because so many writers look so happy with all that information spread out in front of them. They smile as they gleefully take their characters on the journey they’ve taken weeks, sometimes months, to discover. I can’t do it! Please don’t make me! It’s just not in my wiring. I’ll happily sit down, blissfully unaware as to what terrible thing awaits my heroine in the next chapter. I don’t need to know why the hero hates ferrets or what motivates him to chase down the bad guy until he decides to tell me. My first draft is always an exciting undertaking as my characters lead me through a grand adventure all culminating with another villain in custody and of course two people hopelessly in love riding off into the proverbial sunset.

    Nina Pierce is an award-winning author of a dozen sexy romance novels. She spends her days typing without a direction, her characters happily wandering the pages chased by villains and saving the world. The first book in her sexy romantic suspense series, BLIND HER WITH BLISS, is available in digital format at most retailers. You can find out more about her books at her website http://www.NinaPierce.com or follow her on twitter http://www.twitter.com/ninapierce and facebook http://www.facebook.com/author.nina.pierce


    BLIND HER WITH BLISS

    She's trying to find herself. He's attempting to hide. Together they'll discover a truth that threatens them both...

    Investigating the death of her best friend, uptight accountant, JULIE TILLING, discovers a world of adult nightclubs and Internet intrigue. When shock jock DAMON COREY rocks her world in a wild night of passion, she wonders if she's found love...or the key to solving a murder.


    *Edited by Teresa Crumpton*
    Comments 13 Comments
    1. Nina,
      I could have written your post. I'm a pantser. I've tried and tried to become a plotter but my brain freezes and I stop writing. I don't know the story until it unfolds in front of me. If I plot out the story, and I can because of those classes I've taken, I'm done with it. It's not new, I already know everything that happens, so what's the point in writing it?

      Thanks for the great post.

      Cynthia Woolf
    1. Carol DeVaney's Avatar
      Morning, Nina. I had to laugh at the paper bags, calamine lotion, and the hives. I know the feeling. : ) I'm mostly a panster. Once I have my outline neat and in order, I don't do many anymore either, some of the joy of writing is gone. I prefer to write with wild abandon, then if I find I run into a roadblock, I'll read back over what I've written outside the outline. Sometimes the outline may boost a scene, but usually it's all new thoughts and writing that helps me improve the story. Great post!
    1. That sounds like a nice combination of plotting and pantsing. I've heard of that technique as well. I'm thinking I may give that a try one of these books.
    1. Nina Pierce's Avatar
      I know several authors who use a combination of both. I do want to give that a try ... maybe.
    1. Savannah Chase's Avatar
      I think I write as it comes to me. I never sit and write out what is going to happen here or there..I only write info down like bio stuff. I find it easier to work with the stuff just flowing.
    1. Vicki Batman's Avatar
      Oh, Nina! I love this. I'm mostly a pantster. But love my friend's: Plot (ter) + (pant) Ster= Plotster.

      Which is a pantser/plotster. Cause some things are best done by the seat of the pants. Good job!
    1. Nina Pierce's Avatar
      I keep a document open with information (and headshots) of my characters. It does help me keep things consistent throughout the story, especially when I find out a new tidbit about a character's backstory.
    1. Nina Pierce's Avatar
      Oh, Vicki! I love that! I've never heard that term, but what a great word.
    1. Lynda Frazier's Avatar
      I tried plotting but It was a nightmare. This may sound weird but If I'm struggling with a scene I sleep on it and my characters work it out, then when I wake up I have a solution. My sisters a psych nurse and she said there was a support group out there for me but I wasn't allowed to bring my characters. Bummer, not going then. :] I loved the post and I love your writing.
      Thanks for sharing.
      Lynda
    1. Nina Pierce's Avatar
      Lynda - There is something about letting a scene percolate overnight (or in the shower ... what is it about running water?) that often times releases the characters to show us the way.

      Bummer on the support group. I suspect your characters would have had a good time.
    1. Margaret Fieland's Avatar
      {Grin} Nina, I have the same reaction to plotting. If I had to plot at the level of detail that the process you describe involves, I'd have to resort to writing the damn thing. What happens in scene fifteen? Hang on, I'm only up to scene ten, and I'm typing as fast as I can...
    1. Nina Pierce's Avatar
      Quote Originally Posted by Margaret Fieland View Post
      What happens in scene fifteen? Hang on, I'm only up to scene ten, and I'm typing as fast as I can...
      ROFLOL! Yeah, Margaret that is me to a "T"!
    1. Nina Pierce's Avatar
      Quote Originally Posted by Unregistered View Post
      I don't know the story until it unfolds in front of me.
      Yep, a true pantser! Thanks for stopping by Cynthia.
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    Kellyann Zuzulo
    Kellyann ZuzuloA former journalist, I write fiction full time. My first novel, A Genie in the House of Saud: Zubis Rises, was a winner in the 2008 Next Generation Indie Book Awards. I have three paranormal romances published with Sapphire Blue Publishing and one with All Romance eBooks, which was selected for their 28 Days of Heart Contest in 2010.